x--------------------------------------------------
________Oh_Well_(Studio_Version)_-_Fleetwood_Mac
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Tabbed_by:__Frendy_Glasser
Email:______
[email protected]
As_heard_on_the_“The_Best_Air_Guitar_Album_In_World_Ever”_disc_2
Tuning:_Standard
__Fig._1:_Repeat_2x,_1st_time_acoustic_only,_2nd_time_w/distorted_electric
e|----------------------------------------------------------------------|
B|----------------------------------------------------------------------|
G|----------------------------------------------------------------------|
D|------------0------------------------------------0------2-------------|
A|-----0-0-2h---0-2hp-0-----2-2-2--2--------0-0-2h---0-2h---2-2-2-2-----|
E|-0-3------------------3---0-0-0--0-0-3--------------------0-0-0-0-----|
__Fig._1:_continued
e|----------------------------------------------------------------------|
B|----------------------------------------------------------------------|
G|----------------------------------------------------------------------|
D|------------0-----------------------------0-0-2hp-0-------------------|
A|-----0-0-2h---0-2hp-0---2-2-2--2-----0-0-2h---------0-0-2hp-0---------|
E|-0-3------------------3-0-0-0--0-0-3--------------------------3-0-0-0-|
__Fig._2:_Repeat_four_times
e|-------------------------------|
B|-----------------~12-12-12-----|
G|-----------------~12-12-12-----|
D|-------------------------------|
A|-5/7-7-7-7-7-7-7---------------|
E|-0-0-0-0-0-0-0-0---------------|
__Fig._3:_repeat_four_times
e|--------------------------|
B|------8-------------------|
G|-7-9h---9-7-9h------------|
D|--------------------------|
A|--------------------------|
E|--------------------------|
Fig._4a_______________Fig._4b:_see_note
e|--------------7----|-----------------|
B|-----8---10--------|-----------------|
G|-7-9---9----9---9--|-------------4/9-|
D|-------------------|-------5---5-----|
A|-------------------|---5-7---7-------|
E|-------------------|-7---------------|
Fig._4b_note:_this_is_the_basic_core_pattern,_you_can_play_with_it_with_Hammers_and
and_adding_passing_tones_such_as_G_string_7th_Fret.__I_count_4_beats_of_16th_notes_starting
the_D_string_5th_fret_note_the_1st_time_through_this_riff.__To_get_them_all_I_need_a_
mp3_player_that_would_allow_me_to_zero_in_on_that_Pattern.__Its_basically_an_arpeggio
I’m_happy_with_the_sound_I_get_using_the_technique_described_above._I.e.,_it’s_close_enough
Song:
Fig_1._2x
Fig_2._4x
Fig_3._4x
Fig_4a._1x
Fig_4b._1x
Vocals_only:
I_can’t_help_it_about_the_shape_I’m_in
I_can’t_sing,_I_ain’t_pretty,_and_my_legs_are_thin
Well_don’t_ask_me_what_I_think_of_you
I_might_not_give_the_answers_that_you_want_me_to
______________________________________________Fig_1._1x
Oh_well
Fig_3._2x
Fig_4a._1x
Fig_4b._1x
Lead_Fig._5__(Below_with_notes)
Now_when_I_talk_to_God_I_know_He’d_understand
He_said_stick_by_me_and_I’ll_be_your_guiding_hand
Well_don’t_ask_me_what_I_think_of_you
I_might_not_give_the_answers_that_you_want_me_to
_______________________________________________Fig_1._1x
Fig_2._4x
Fig_3._4x
Fig_4a._1x
Fig_4b._1x
See_Figure_7_for_the_way_cool_outro_heard_on_the_original_release
of_this_song.__Not_on_the_live_version_we_usually_hear.
__Fig._5_Lead_(see_note)
e|--~12-~12--------------|
B|-----------------------|
G|-----------------------|
D|-----------------------|
A|-5/7-7-7-7-------------|
E|---0-0-0-0-------------|
Fig._5_note:_here_is_where_you_let_your_personal_style_shine,
_____________the_album’s_lead_revolves_around_the_pentatonic
_____________shown_in_Fig._6,_just_have_fun_and_play_away.
_____________Rhythm_guitar_and_the_Bass_stick_to_E_and_A
_____________pattern_shown_in_figure_5.
Fig._6:_10th_position_pentatonic,_see_note
e|--------------10--12----------------|
B|------10--12------------------------|
G|---11-------------------------------|
D|------------------------------------|
A|------------------------------------|
E|------------------------------------|
Fig._6_note:_based_on_the_classic_blues_scale_used_in_a_million_different
_____________Leads.__Freddie_King_was_known_to_use_only_these_5_notes
_____________In_many_leads_using_bends_and_trills_only.
__Fig._7_(outro)_see_note
e|--------------------------------------------------------------|
B|--------------------------------------------------------------|
G|-7-----------------------7-----------------------7-7-7-7-7----|
D|-7------5-5-5--4----5-5--7-----5-5-5-4---------5-7-7-7-7-7-5--|
A|--------7_7-7_-5----7-7--------7-7-7-5---2/7---7-----------7--|
E|------0----------0----------0----------------0-------------0--|
__Fig._7_continued
e|------------------------------7-7-7-7-7----5------------7-7-7-7-7----5-|
B|------------------------------7-7-7-7-78hp-5------------7-7-7-7-78hp-5-|
G|-----7-7-7-7-7----------------7-7-7-7-7----5------------7-7-7-7-7----5-|
D|---5-7-7-7-7-7---5------------9-9-9-9-9----7------------9-9-9-9-9----7-|
A|---7-------------7------_----------------------------------------------|
E|-0---------------0---3-2-0--7-----------------0-3-2-0-7----------------|
__Fig._7__note:_Let_open_E’s_ring,_you_can_have_a_lot_of_fun_with_these
__________Patterns_in_your_own_creative_playing,_the_use_of_the_7th_position
__________Em_is_haunting_when_paired_with_the_diatic_D-F#,_with_the_low_E
__________Ringing_to_create_a_very_interesting_tension_-_its_basically_an
__________Edim/9.__Fun_stuff
Final_note:__The_song_illustrates_the_importance_of_using_your_left
_____________and_right_hands_in_a_way_to_make_it_almost_sound_like
_____________one_guitar_is_two.__The_left_hand_uses_hammer-ons_and
_____________pull-offs,_the_right_hand_uses_palm_muting_and_a_very
_____________funky,_loose_wrist_style._Practice_this_and_you’ll
_____________see_it_isn’t_as_hard_as_it_sounds_and_it_will
_____________improve_your_overall_playing.
************************************
|_h__Hammer-on
|_/__Slide_up
|_~__Vibrato
************************************
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